‘Waitress: The Musical’ review: Sara Bareilles serves up a zoomed in view of the Broadway hit

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Nothing produces a tingle up the backbone fairly like reside theater, and “Waitress: The Musical” joins the checklist of filmed musicals which have preserved their stage qualities whereas giving viewers the very best seat in the home. Sara Bareilles headlines this adaptation for which she wrote the lilting songs, in a present that manages to be alternately candy and foolish, touching and raunchy.

Based mostly on the 2007 film starring Keri Russell, “Waitress” loaded up a full tray’s value of Tony Award nominations in 2016, solely to expertise the unlucky timing of getting shot down by operating into the “Hamilton” buzzsaw. Appropriately, the latter’s manufacturing on Disney+ kicked off a pandemic wave of filmed musicals and performs coming to streaming companies, which additionally included Apple’s “Come From Away,” each glittering examples of the shape.

Receiving a five-day theatrical window, the filmed model of the musical “Waitress” doesn’t climb to these heights, however it comes lots shut, and soars in moments. Bareilles, for instance, earns (and deserves) a mid-show standing ovation after belting out “She Used to Be Mine,” a track that defines the musical’s emotional core.

Stated core comes from Bareilles’ Jenna, whose bond along with her coworkers (Charity Angél Dawson, Caitlin Houlahan) on the native diner sustains her within the face of an sad dwelling life along with her abusive lout of a husband (Joe Tippett).

Charity Angel Dawson, Sara Bareilles, and Caitlin Houlahan in Bleecker Street's Waitress: The Musical.

‘Waitress the Musical’ serves up a film

Jenna is thus horrified to find that she could be pregnant – the byproduct of a drunken evening – although the unwelcome growth does deliver her into contact with an ungainly physician (Drew Gehling), with whom she begins an affair. Add that to her roster of questionable selections, which the 2 acknowledge head-on in a track titled “Unhealthy Thought.”

Jenna additionally possesses a knack for pie-making courtesy of her late mom, a talent that she hopes to make use of to obtain her freedom, planning to enter a contest and use the prize cash to run away. If that looks like a skinny thread upon which to hold her hopes, it’s emblematic of the desperation that makes “Waitress” so poignant.

The extra theatrical facets of the musical, similar to Christopher Fitzgerald’s eccentric suitor, are clearly designed for an in-person setting, and threat feeling a bit too huge blown up for the display.

Nonetheless, in a month that brings two film musicals in “The Colour Purple” (additionally a film changed into a musical) and “Wonka,” the present makes the transition with most of its charms – and Bareilles’ golden set of singing pipes – very a lot intact. And whereas “Waitress” remains to be in all probability a dish finest served reside, like “Hamilton” and “Come From Away,” seeing this occasion presentation looks like a good suggestion.

“Waitress: The Musical” will play December 7-11 in US theaters.

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